That there are places in urban Scotland to which most of us would not willingly go during the day and certainly never visit at night is a fact which as a society and a political culture we have chosen not to confront. It is regrettable, we seem to feel, but it is part of our lives. We prefer not to cast too much light on the dark world of the ‘schemies’.
Creative Scotland, and its ‘crude ethic of sado-competition’
This piece appeared in the Scottish Review on May 31, 2012. For legal reasons, the last 2 pars were removed. They are reinstated here. Below is a photo of Creative Scotland execs in Cannes the same week they announced the end of flexible funding. Joyce McMillan knows what she is talking about when it comes to judging performances. The Scotsman’s theatre critic has spent a few years of her life rattling across Scotland on night trains from small towns – the proverbial ‘Shotts in the dark’ – writing reviews. The fact that she knows most of Scotland’s theatre people pretty well and in general is held in respect by them does not interfere with her ability to do her job. She can give a bad review if it’s required.